EMANCIPATION AS SOCIAL CRUSADE IN ASA’S SELECTED SONGS (Record no. 6046)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01180nam a22001457a 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 210803b ||||| |||| 00| 0 eng d |
| 100 ## - MAIN ENTRY--AUTHOR | |
| Author | ADEKUNLE, Emmanuella Anuoluwapo |
| 245 ## - TITLE STATEMENT | |
| Title | EMANCIPATION AS SOCIAL CRUSADE IN ASA’S SELECTED SONGS |
| 250 ## - SUPERVISOR | |
| Supervisor | Mr Taofeek Olatunbosun |
| 260 ## - IMPRINT | |
| Place of publication | Ibafo |
| Department (College) | DEPARTMENT OF LANGUAGES |
| Date of publication | 2019 |
| 300 ## - COLLATION | |
| Pagination | vi,; 57p. |
| Other physical details | tables |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | Abstract<br/>Music is the art as directed by the muse. This muse echoes social activity inextricably woven into everyday communal life. Hence, making music a key aspect of thought. This is where the theme of emancipation emerges with an effort channeled to cause economic, political and social change for equality specifically in support of the disenfranchised individuals or groups. To unite this argument, we have explored the subjects of freedom, social crusade in Asa’s selected songs through the lens of Marxism where class, a form of political ideology is the basis for struggling. Hence, this research seeks to know how music as a work of art is employed as a weapon of emancipation.<br/> <br/>KEY WORDS: Emancipation, Social crusade, Asa and songs.<br/> |
| 650 ## - TRACINGS | |
| Main Subject | Languages |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Item type | Students Thesis |
| Source of classification or shelving scheme | Not for loan | Permanent location | Current location | Shelving location | Date acquired | Accen. No. | Copy number | Koha item type |
|---|---|---|---|---|---|---|---|---|
| Main Library | Main Library | Reference | 03.08.2021 | 15020401001 | 1 | Students Thesis |